Violoncello Masami Horisawa, Takayoshi Okuizumi, Masateru Nishikata Viola Saori Oka, Tomoko Shimaoka, Naoko Kakutani, Mayu Takashima Violin Koichiro Muroya, Tomomi Tokunaga, Shoko Oki, Kyoko Ishigame, Mariko Aikawa, Rina Odera, Ayaka Notomi, Ai Okumura, Hanako Uesato, Sohei Biruman, Eai-Sung Shin, Machi Okabe, Erina Sato, Risa Yamamoto For the fans who adored older Japanese role-playing games for their narrative complexity, there is nothing here.OCTOPATH TRAVELER 大陸の覇者 Original Soundtrack They're broad and cliched stories, casting men as fantasy heroes and warriors and women as victims and holy daughters, women obsessed with loving or avenging or killing their fathers, with no real development for themselves. I used a form of "sleepy" to describe both character openings above, and that wasn't a mistake: the primary emotional attachment each narrative arc draws from the player is drowsiness. A band of merry adventurers with no adventure, a Rashomon tribute told in slow motion.īut instead of these collisions being expressive, they're just dull. They just meet each other and decide to tag along during one another's journeys, barely interacting. Octopath Traveler has no central conflict to speak of, no driving force pushing its protagonists together. Why do they band together? No reason, really, other than gameplay contrivance. The narrative starts with one character of your choosing, then tasks you with tracking down the other seven, experiencing their stories one by one while adding them to your number.
#Octopath traveler ost digital how to#
A band of merry adventurers with no adventure, a Rashomon tribute told in slow motion.Īll of this, in service of a story that only knows how to do beginnings. Paths are often hidden behind voxel monoliths you're going to spend a lot of time walking into walls. Worse yet, it renders the environment illegible at times, the broad 3D environments failing to convey how to effectively navigate a space. It lends the whole affair an unintended artificiality, as if you're playing JRPG community theater.
It's a strange choice the effect is almost like a diorama, with characters living in worlds not built for them. While character and monster art is handled with classic 2D pixels, the environments are rendered in a hand-drawn 3D, with voxelized buildings and natural formations eclipsing the tiny characters. The visuals, too, work to differentiate themselves from the predecessors they also deeply want to imitate. One could imagine another game with this system being engrossing, even brilliant.
The combat system is, indeed, the game's single best element. The combat, turn-based like its forebears, is quick and clever, with a sharp mechanic: a gradually replenishing resource that lets you significantly power-up your characters for single attacks, speeding up what can otherwise be lengthy encounters. Still, Octopath tries to distinguish itself. These are cover songs as games, loving imitations that don't push forward so much as they look back. The imagery, the combat, the character classes, and the broad narrative gestures all pull from Final Fantasy, Chrono Trigger, and their ilk.
Like Bravely Default before it, Octopath Traveler exists as homage to Japanese role-playing games of the Super Nintendo era.
0 kommentar(er)
